The Mastermind (2025)
Kelly Reichardt always provides something unique and somewhat challenging with her films usually subverts expectations, and I definitely didn’t see her doing a heist movie. Though it is very different from most heist movies as it neither a display of a well-executed masterplan or a comedic utter failure. It is more fumbling, accidental and with a rather pathetic main character. There is a lack of skill, the plan isn’t thought through and the competence level is generally low, but it isn’t a total failure either. It is an interesting middling way to tell a heist plot. Because the actual art heist isn’t the main point here. The Vietnam backdrop is not accidental I assume, as it indirectly becomes an examination in masculinity and expectations for the man to provide for his family. James is clearly drifting in his life and living through money from others, but he is not a bad person per se, he is just having a hard time finding his place in the world. Not that the film wants us to pity him, as he isn’t exactly sympathetic or even likeable, but through his fumbling nature and incompetence, Reichardt seems more intent on showing an example of man not fit for fulfilling his expected role in society, than giving us a clear resolution.
Rating: 3.5