There's Still Tomorrow (2023)
It took me some time to properly “tune in” to the film language of this. It is interesting combination of something very modern and something that more than draws inspiration from Italian neo-realism of the 50s. It looks stunning in the same way Roma did, and it does share thematic similarities with its depiction of woman in a historic context set in a country undergoing political turmoil. This however leans more into a poetic experimentation and downplayed humor.
I often have issues with films that are very one-sided and heavy handed with their themes, but also willing to make exceptions - as I did with Barbie and The Substance. Here I am also finding myself conflicted, as I did think the depiction of mysogoni was very much on the nose with almost every man being an asshole and characters having blunt conversations that removes all subtext. This style leaves less room for doubt and self reflection as everything is told by the film itself and its clear as day symbolism. On the other hand, I need to acknowledge how well it is done here. How great everyone plays their part, and most importantly how it servers as a great showcase of a strong woman demanding her rights as an equal citizen, despite every man around her opposing and obstructing her.
While it turned out to be a film I admire more than love, it still deserves high praise as an impressive debut that offers a fresh reinterpretation of classic Italian neo-realism.
Rating: 3.5