Sibyl (2019)
Justine Triet packs a lot into the 100 minute runtime. In some ways it is kind of a mess with several storylines happening at once, but it also sort of works and I really liked it. What happens to Sibyl is an equal amount of giant mess, so it is fitting. I was especially impressed with the editing, that manages to keep things together despite the frequent quick jumps between past, present, daydreams and fiction. The tempo can sometimes be on the edge of exhausting but I was never lost, as the great (fittingly overly dramatic) performances and the editing held things together.
Rating: 4